Jim Franklin, best known as a founder
of Austin's iconic '70s live music venue, the Armadillo World
Headquarters, was commissioned by Sonobeat co-founder Bill Josey
Sr. in 1968 to draw a sketch of the Lee Arlano Trio. Jim's sketch
adorns the cover of Sonobeat's first album release,
Jazz
to the Third Power. At
the time he drew the Arlano sketch, Jim was artist-in-residence
at the equally iconic Vulcan Gas Company, predecessor to the
Armadillo, and had never before had any of his art featured on
an album jacket. And now some really deep Jim Franklin trivia
that appears nowhere else on the Sonobeat website: Bill Josey
Sr. also commissioned Jim to paint portraits of his children;
Jim did one portrait of Bill's two daughters and another of Bill's
two sons.
The Michael Stevens IV, also known
as the Kings IV. The quartet provided the
backings for Sonobeat's
Don
Dean,
Fran
Nelson, and
Bach
Yen 45 RPM singles.
Liberty Hill. Bill's "Blue Hole
Sounds"
on the outskirts of town was housed in an old stone church that
at the time was used two Sundays a month by the local AME congregation.
Read
more.
The Wig's
bassist Jess Yaryan and drummer Rusty Wier and the Babycakes'
guitarists Layton DePenning and Leonard Arnold formed Austin
supergroup Lavender Hill Express.
Read
more.
The Afro-Caravan's single
Comin'
Home Baby was recorded at a live performance at the 1968
Hemisfair in San Antonio, Texas.
Read
more.
The
Lee
Arlano Trio's
There Will
Never Be Another You was the first material Sonobeat recorded
but was Sonobeat's second release, not its first. The
Sweetart's
A
Picture of Me, recorded after the Arlano sessions, was
Sonobeat's first release.
Only two: the Lee Arlano Trio's
Jazz
to the Third Power and the
David
Flack Quorum's
Mindbender.
Sonobeat's other commercial albums,
Johnny
Winter's
Progressive
Blues Experiment, and
Wali
and the Afro-Caravan's
Home
Lost and Found (The Natural Sound) were both released
by Liberty Records labels under license from Sonobeat. Sonobeat
also released many albums that were never
intended for commercial sale but, instead, were circulated
to record companies to demonstrate material in the Sonosong
Music catalog.
KAZZ-FM, which had studios
and offices in the Perry-Brooks Building in downtown Austin,
until it closed down in January 1968. It resurfaced months later
as Austin's KOKE-FM. The KAZZ-FM call letters are now used by
an unrelated station in Spokane, Washington. KAZZ's live remote
broadcasts from a variety of Austin music venues and dance clubs
in the '60s provided the seed for Sonobeat's birth.
Read
more.
The
Ohio
Express, famous for their
top 10 teeny-bopper singles
Yummy Yummy Yummy and
Chewy,
Chewy.
Yep, really. None of the material Ohio Express recorded
at Sonobeat has been commercially released.